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1971剧情片
故事发生在一个地处偏远的小镇之上,汤姆(Robert Milli 饰)的莫名失踪让警员约翰(唐纳德·萨瑟兰 Donald Sutherland 饰)百思不得其解,富有责任心和正义感的他决定追踪此案。汤姆在失踪前曾经和一位名叫丹尼尔斯(简·方达 Jane Fonda 饰) 的应召女郎有着密切的联系,根据一封两人之间的情书,约翰来到了纽约。 在监视丹尼尔斯的过程中,约翰在这个神秘的女人身上发现了许多可疑之处,她似乎也正在追踪着什么人。之后,又一名受害人的出现让整个案件开始变得险恶起来,而随着调查的深入,一位名叫柯博尔(Charles Cioffi 饰)的男子浮出了水面,他是否就是约翰正在苦苦寻找的那个人呢?
26集全
大衛與瑪嘉烈相識一年多, 大衛鼓起勇氣向瑪嘉烈提出同居的要求,瑪嘉烈認為大衛現在租的地方不夠兩個人住,提出以她的居所作為彼此的安樂窩,但大男人的大衛卻不希望搬進她的住處。最後二人達成共識,一起重新租一個空間大一點,又近瑪嘉烈上班的地方。二人同居之後發生了大大小小有關生活習慣的爭拗,卻又令感情更進一步。
30集全
《玛嘉烈与大卫系列 - 前度》(英语:Margaret & David - Ex),是香港VIUTV电视台所制作的日常爱情生活电视剧,于2017年7月17日起逢星期一至五于ViuTV播出,由袁澧林、刘俊谦、许志安、廖碧儿、马志威及杜小乔主演,改编自南方舞厅的小说《玛嘉烈与大卫的前度》。
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2023恐怖片
A team-building conference for municipal employees which turns into a nightmare when accusations of corruption begin to circulate and plague the work environment. At the same time, a mysterious figure begins murdering the participants.
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夏安(西恩·潘 Sean Penn 饰)是一名退休的摇滚乐手,富足和闲适的生活让他逐渐失去了往日的精神和锐气。父亲的病危让夏安来到了纽约,虽然没有见到父亲最后一面,但夏安终于找到了未来的目标。原来,夏安的父亲曾经在奥斯维辛集中营中受过虐待,这一段历史一直折磨着劫后余生的老人,而当年的罪魁祸首阿洛伊斯(Heinz Lieven 饰),如今正在美国的某处过着无忧无虑的生活。 必须要找到这个人面兽心的恶魔,这是夏安心中唯一的信念,带着这样的信念,夏安踏上了复仇的旅程。一路上,夏安遇到了许多人,许多事,正是这些人和事逐渐改变了夏安复仇的念头。渐渐的,对于这次旅行的目的,夏安开始迷惘起来。
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《白色通行证》改编自内拉·拉森于 1929 年撰写的著名同名小说,围绕两位黑人女性艾琳·雷德菲尔德(泰莎·汤普森饰)和克莱尔·肯德里(荣获奥斯卡金像奖提名的鲁丝·内伽饰)展开叙述,在 20 世纪 20 年代末纽约哈莱姆文艺复兴的鼎盛时期,她俩都可以冒充白人,却选择生活在以肤色为界的两个世界里。一个夏日午后,两名童年好友偶然再会,艾琳不情愿地让克莱尔登门拜访,结果克莱尔讨好起艾琳的丈夫(安德烈·霍兰饰)和家人,之后更打入她交游甚广的社交圈子。随着两人的生活更紧密地交织在一起,艾琳发现自己曾经稳定的生活开始因克莱尔的出现而天翻地覆。《白色通行证》是一部引人入胜的电影,审视了人性的痴迷和压抑。为了保护自己精心构筑的现实,人们可以对自己和他人说什么谎?
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1975剧情片
1900年的情人节,沿用英式教育的澳洲亚普利亚德女子学院组织了一次目的地为海茵悬岩的郊游。孤儿萨拉却因拖延学费而无法同行,只能目送好友米兰达和同学们在迈克劳小姐的带领下出发。抵达目的地后,米兰达等四人离队攀岩,被同在悬岩下郊游的迈克尔和仆役埃尔伯特发现,迈克尔对米兰达一见钟情,尾随了上去。 当天晚上,校长收到迈克劳与米兰达等四人失踪的报告。警方马上介入调查,校长为学院名声紧张不已,而萨拉因为失去了米兰达茶饭不思。迈克尔与埃尔伯特攀岩搜索找回了一名女学生,但米兰达仍然下落不明,萨拉在绝望中被校长赶回孤儿院,她选择了自杀……本片根据琼•莱斯利的同名小说改编,获1977年英国电影学院奖最佳摄影奖。
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卡尔·西奥多·德莱叶这部喜剧引出心灵流变的轨迹,并在喜剧形式表现中要求夸张的转折与表演方式。他的简单主义从《总统》的办公室开始到玛格丽特夫人的屋舍,更趋向朴质。而对容貌的描写这里也有了开端。影片中的骗徒,终究抵抗不了良心的责备以及虚假婚姻阻隔与女友之间的真情。但有趣的是,被骗的老妇却早已察觉他的不怀好意但又绝非恶徒。反而是外力最后促使内在的圆满。
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1985剧情片
Suspended between carefree youth and the harsh realities of the adult world, a teenage girl experiences an unsettling awakening in this haunting vision of innocence lost. Based on the celebrated short story “Where Are You Going, Where Have You Been” by Joyce Carol Oates, the narrative debut from Joyce Chopra features a revelatory breakout performance by Laura Dern as Connie, the fifteen-year-old black sheep of her family whose summertime idyll of beach trips, mall hangouts, and innocent flirtations is shattered by an encounter with a mysterious stranger (a memorably menacing Treat Williams). Winner of the Grand Jury Prize at Sundance, Smooth Talk captures the thrill and terror of adolescent sexual exploration as it transforms the conventions of a coming-of-age story into something altogether more troubling and profound.
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1921剧情片
The Professor dispenses the wisdom of the ages and does not make a living wage. The sons of the rich and powerful are students lacking any motivation. The next door neighbor of the Professor, businessman Olsen, has money and lots of food, while the Griggs have hardly any. Both Peter Olsen and Reverend Gates are taken by the beauty of young Amelia Griggs. When rich son Phil West falls for Amelia Griggs and befriends the poor Reverend Gates, he finally sees the difference in his life and theirs and tries to do something to change that.
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查理(克里斯?奥唐纳 Chris O'Donnell 饰)是一个普通的中学生,他因为见证着一件恶作剧但又不想出卖朋友,于是面临着一道艰难的选择题——要么坦白,要么被学校勒退。而史法兰(阿尔?帕西诺 Al Pacino 饰)是一个退伍军官,因为意外失明,人生从顶点的辉煌滑落谷底。 自从两人的人生有了交集,命运的转折慢慢清晰。史法兰打算结束失去了意义的生活,于是在查理的陪伴下,尽情享受着人生最后一趟出行。他吃最美味的佳肴,买光鲜的汽车,在狭窄的街道上飚车,住在豪华的套房里,跟随陌生女子的袅袅香水味,跳一段优雅性感的探戈……极乐的疯狂后,他拿枪对准了自己的头颅。然而,查理声嘶力竭的劝阻改变了一切,曙光亦渐渐在这个老人心中重新升起,二人情深如父子。 史法兰在学校礼堂激昂演说,挽救了查理的前途,讽刺了学校的伪善。二人在互相鼓舞中得到重生。
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1971动作片
在生产钻石的南非,最近怪事连连,一大批未经切割的钻石失踪了,而且谋杀案频发。这些异常现象引起了英国当局的高度重视,于是007(肖恩?康纳利 Sean Connery 饰)来到了南非。007以钻石批发商的名义展开了一系列的调查,发现一切原来都是他的死对头魔鬼党的首领艾纳斯 (查尔斯?格雷Charles Gray 饰)在背后操纵的,而艾纳斯追求的并不是只是金钱,而是企图利用这些钻石制造最具杀伤力的激光卫星设备,用以达到自己邪恶的目的。于是,007在美丽的邦女郎坎丝(吉尔?圣约翰 Jill St. John 饰)的帮助开始了粉碎这个阴谋的行动!
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1925科幻片
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
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1951恐怖片
One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice character to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .